The stage of power and its false heroes

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Imagine politics is nothing but a massive theater in which politicians do not perform as statesmen, but as skillful actors who play roles that bring them fame and voices while doing the opposite of what they preach, an endless sequence of intrigues and deceptions that the people hold in blind admiration.This is the brutal truth we need to unmask, because these figures, these followers of power, deserve no respect, but mockery and contempt for their double standards, which goes deeper than any conceivable shame. Annually there should be a big award, a glamorous gala of falsehood, where these actors are honored in elegant tailored suits and evening gowns forTheir masterpieces of deception, prizes like the Oscar for Best Double Morality, the Golden Curtain for the Most Perfect Masquerade, or the hypocrite crown for those who play the most skillful opposition while driving government policy with full force, a feast of exposure that wakes the world and uncovers these clowns.

Actors in high offices

They actually exist, these master actors who enthroned in the government of a federal state or even hold ministerial posts, seamlessly support federal politics and even the European Union’s politics, as if they were the faithful servants of the rulers in Berlin and Brussels, and yet in their speeches, in front of the cameras and in front of cheering supporters, they gave the impression that they were the lastThe people’s defenders in the opposition, relentless fighters against the supposedly foreign policy that is destroying the country, an acting art that is breathtaking in its audacity, because they loudly criticize the exit from coal, the increase in taxes and the reduction of social benefits, as if these plans were the work of evil spirits from the capital or from afarBrussels, while they themselves implement these measures, enforce them with an iron hand and even call for even tougher, merciless steps internally, in closed circles, that drive the people even deeper into poverty, only to then flip the switch in the glaring spot of the election campaign and suddenly mime the great critics, the rescuers from politics from Berlin or Brussels, aPerfection of the lie that would make any real artist go out with envy.

The Masquerade of Criticism

These wandering actors on the stage of parliament, these politicians, change their costumes with the ease of a chameleon, the strict executors of bitter politics during the day, who are forging the plans for more taxes, nights for more taxes, more dismantling, more destruction of the old energies, and then, when the lights go on and the voters watch, they slip into the robe of theRebels, the opposition hero, who thunders against the coal exit policy with a clenched fist, as if they had never touched a finger for it, as if they were the innocent victims of a foreign agenda, and the people, the naive audience, applauds this appearance without realizing that the applause is only financing the next act of deception, a cycle of hypocrisy that is year after yearRepeatedly until the stage is on fire with all the lies, and we, the audience, refuse to open our eyes, let us blind by these performers who deserve their prizes in advance for the art of making the impossible possible, namely governing and simultaneously opposing, destroying and wailing, demanding and denying.

The campaign as the highlight of acting

In the limelight of the election campaign, these actors unfold their masterpiece, switch to the mode of the indignant fighter at lightning speed, who denounces the politics from Berlin as a betrayal of the people, who burns coal from Brussels as a foreign dictatorship, eats coal, eats taxes and socializes, as if these plans came out of nothing, not from their own hands, which they had previouslyimplemented, internally demanded even more stringent measures, held conferences where they banged the whip for more hardness, more exit, more stress, and now, in front of the microphones, shed tears of indignation, their fists are basking against the invisible enemies they themselves are so convincing that even skeptics doubt whether they are realOppositionists are, until the election is over and the curtain falls, just to initiate the next cycle where they will again become government servants, take off the mask and continue the work they just so pathetic, a dance of absurdity that mocks democracy and eats up the confidence like acid.

Annual award as ultimate exposure

Exactly for such masterpieces we would need this annual award, a spectacle of truth where categories such as Best Hypocrisy in the Coal Topic, Oscar for Tax Criticism with a Simultaneous Increase or Golden Mask for Social Degradation Actors are awarded, broadcast live, with speeches from the honorees who defend their art while the people watch and realize how deep the shamego, politicians who govern federal states, hold ministerial offices, help shape EU politics and yet play opposition, criticize what they do themselves, demanding tougher measures in secret and in the light of the election campaign is to set up the halo, a price that exposes them, forces them to celebrate their deeds, and the people wake up from the sleep of deception, repeated annually,Until the stage is empty of sheer shame, and real leaders stand out, no more actors.

The consequences of great acting

These actors not only destroy politics, they poison the nation’s soul by dividing the people, trampling on trust and enforcement of measures that they publicly curse, denounce coal exit as catastrophe while driving it forward, defame tax increases as a raid, waiver themselves, social cuts as an attack on the weak, denounced him,And always in a duet with the federal and EU policies they carry, just to switch in the spotlight, a betrayal that doesn’t deserve forgiveness, but eternal damnation, and this award would make it visible, tear down the masks every year, make the audience laugh at the ridiculousness, to tremble with the truth, until the actors flee and make room forReal fighters, no mimes of power.

The call to rebellion against the stage

come You out of the theater, tear down the curtain, demand this award, annually, relentlessly to honor the actors who rule in federal states, are ministers, politics from Berlin and Brussels, and yet mime opposition, criticism of coal phase-outs, taxes and social practice, while implementing and exacerbating it, in the election campaign mode the real onesEnforcer exposes, a non-ended scandal that ends only by exposure, by prizes, the mocking, by the public who awakens, by the will of the people who storms the stage and drives out the clowns, forever and ever, in a storm of truth that knows no mercy. And so it goes on, hour after hour, year after year, the criticism incessantly, the attack mercilessly, until every maskSplit, every office is uncovered, the award of the award becomes a legend, a memorial to the hypocrisy that rewrites the history of politics, without mercy, without a break, maximum long and extremely angry, because the truth no longer tolerates actors on the throne of power.